| "The Web is jam-packed with empty, incoherent, ill-organized, meaningless, repetitive pages. Gunk. Spam. Junk. Crap. It gives the Web a bad name." --Rachel McAlpine, author, Web Word Wizardry |
Topics
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Introduction
| Our
understanding of how to structure information comes from the
organization of printed books and periodicals. How to put a book together
is well established, from its table of contents to its index (it is
a technology). In some ways, text presentations for the Web are similar to those for traditional print publications. First and foremost, Web content requires good writing, just like print (or TV, radio, and film), though it is often neglected on the Web. Graphics, animation, audio and video often get more attention, but the lack of good writing is a significant problem on the Web. This is where we come in. |
Web users are not merely reading content. They are interacting with it in ways print on paper cannot facilitate. They inhabit a space rather than merely read a linear narrative. Help them figure this space out and be comfortable in it.
Hypertext makes "reading" on the Web non-hierarchical and non-linear, more like accessing a matrix and moving around within it than reading left to right, line by line, as in a narrative. <<As author Carolyn Dowling put it, "Writers [and editors] of hypertext . . . might be described as the designers and builders of an information 'space' to be explored by their readers."
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Key Words >> Space >> The Matrix
| Paper
has a fixed structure. Hypertextual environments do not. Think about
how the content is structured and whether that structure can be easily
subverted. Think three-dimensional space. Think of this room
and perhaps waking up this morning in its middle. How would you know
where you were? How desperate would you be to find out? Think cues and key words. Web editors "must enter the mind of the site's target visitors and second-guess their choice of vocabulary," McAlpine writes. Text for the Web, therefore, must be rich in key words. |
A
related point is to present text with the ways search engines classify
and organize information in mind.
|
How
do people read on the Web?
| People typically do not read word for word on Web pages. They scan. One study showed that perhaps 79% of Web users scan any new page they download; just 16% reported reading word for word (see Nielsen's study for much more). So, they need clues, sign posts, highlights. Content should be shaped and labeled for scanning. Based on the need for scannable text, Jakob Nielsen recommends several techniques or attributes that can enhance "scannability"
|
How
Web text differs from traditional print publication text
| Unlike print, which is basically presented in take-it-or-leave-it form, the online environment is influenced and sometimes directly controlled by the user. The one-way producer-consumer relationship is not as relevant on the Web. McAlpine advises
that to successfully communicate on the Web, "You need to switch
from 'think paper' mode to 'think Web' mode." The Web is ephemeral, unlike ink on paper, so the context and the purpose should always be clear. Content is appearing on a PC screen, which is not fun to read. We should be sensitive to contributing to eyestrain. Another difference: Unlike print, online content producers lack control over how users view content, particularly the order in which they view or scan it. |
One of the mistakes inexperienced Web writers and editors make is to assume that everyone enters a site through the home page. Remember Google This assumption carries with it the inference that the visitors know the context of all the other pages on the site. This isn't so, so each and every page should be designed and written and edited with this in mind. The pages should be independent, and with their own self-contained context independent of the rest of the site. In a study by the Poynter Institute and Stanford University, researchers tracked users' eye movements. Among the findings was that these online readers fixed their eyes first on words, not images. This is the opposite of how we understand people read print newspapers, grabbed first by photos, then by headlines, and finally copy. |
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| "Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience." --Fanny Brice, entertainer |
| Web content, like any other content, should be developed and presented with someone in mind. This knowledge facilitates logical, predictable, consistent presentations that enhance readability and usability, which in turn encourage return visits. Hammerich and Harrison: "Keeping the attention of drive-thru users will be the greatest challenge you face in developing Web content." |
Checklist
of assumptions
|
Print v. Web: Case Study #1
| Look at news coverage in print versus online. How are they different and why? How does the Web version facilitate interactivity? What all can readers/users DO? How is the text presentation different? How does the page convey location and space? |
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| In print, for a book or newspaper, the document forms a whole. The reader is focused on the entire set of information. On the Web, each document should stand alone. Site visitors can enter a site from multiple points, or any of the site's individual pages. Each page should, therefore, be independent and explain its topic without assumptions about the previous or subsequent pages. Web design guru Jakob Nielsen, writing for Sun Microsystems, provided these suggestions and conventions for online style:
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Web Style Guide 2: Case Study #2
| Patrick Lynch and Sarah Horton expertly developed pages that both belong together but can stand alone. The pages in this site are fairly brief, with hyperlinked material within and easy navigation down the left panel and at the top right. It is important to link to background or explanatory information to help users who perhaps do not have the necessary knowledge, and navigation must be intuitive and readily available. Note also the authors' use of bolded text and graphics. |
Lynch and Horton add the following to Nielsen's suggestions:
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| Information that can be briefly included on a Web page should not be hyperlinked. What is hyperlinked should
be accompanied by information about that link so a reader knows where
he or she is going. Links allow content to be added without interfering with the flow of the story. If a presentation is about the hazards of childhood smoking, links to actual studies, resources, and related articles might be appropriate. Readers do not have to rely solely on the content. |
Nielsen suggests thinking of "linking" as the quickest means to get the user to the most relevant information. State conclusions and link to supporting details. Nielsen also makes the point that links embedded in a document are the primary links a Web publisher wants a reader to see. Readers use these links as guideposts in scanning, so they should be used correctly and written in a way that takes best advantage of them. Only the most pertinent should actually be a "part" of the document. Use them judiciously, consistent with your main points, and do not them distract. |
BLOGS: Case Study #3
C|Net: Case Study #4
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Notice what is in bold and how the content behind the link is described. The reporter's name and relevant information are linked within. Supporting or related information also linked down the right side. Macro site navigation at the top and bottom of the screen, which is consistent throughout c|net. |
Nebraska: Case Study #5
| Before:
Nebraska is filled with internationally recognized attractions that draw large crowds of people every year without fail. In 1996, some of the most popular places were Fort Robinson State Park (355,000 visitors), Scotts Bluff National Monument (132,166), Arbor State Lodge Historical Park & Museum (100,000), Carhenge (86,598), Suhr Museum of the Prairie Pioneer (60,000), and Buffalo Bill Ranch State Historical Park (28,446). |
After:
In 1996, six of the most-visited places in Nebraska were:
| Fort Robinson State Park | 355,000 visitors |
| Scotts Bluff National Monument | 132,000 |
| Arbor State Lodge Historical Park & Museum | 100,000 |
| Carhenge | 87,000 |
| Suhr Museum of the Prairie Pioneer | 60,000 |
| Buffalo Bill Ranch State Historical Park | 28,000 |
Roles
of Web Writers and Editors
.
| An
online editor must be part content developer, content strategist, producer,
manager, managing editor and project manager. The job has evolved as media have evolved, and as convergence has become pervasive. |
Broadly:
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| More specifically:
|
| Editing:
A Summary Particularly wherever words appear.
|
|
I. Global audience
II. Source credibility
III. Interactivity
IV. Participatory journalism and personal publishing
I. Global communication
| Plain Korean wanted Web pages are read globally on a 24x7 basis. Keep it simple and straightforward, or translate the text into several foreign languages. No confusing acronyms. Short sentences. Simple, common, concrete words. Positive (rather than negative) language. Active verbs. Avoid slang, idoms, culturally bound metaphors, wordy clichés, colloquial expressions and ambiguous pronouns, particularly gender-based pronouns. |
Dates: Many countries, including most in Asia, present the day first, then month, followed by year. U.S.:
01/11/2003 means January 11, 2003 Confusion can be prevented simply by presenting dates in full: 11 November 2003. Similar challenges when presenting phone numbers (country codes, area codes, regional codes, etc.) and currencies. A dollar? Whose dollar? Taiwan's? Australia's? The United States'? |
II. Source credibility
Trust is another major issue on the Web, particularly in journalism. On the Web, even subtle elements can either provide users with confidence in the site or make them suspicious.
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These elements include:
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| Compare with these interactive "experiences" Meteor
Show (MSN) |
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IV. Participatory journalism & personal publishing
| Weblogs
are perhaps the first wave in a new age of personal publishing, and
this revolution is not unique to journalism. A new media ecosystem
is emerging. In this context, common questions
being debated seem short-sighted. For example: Is
a blogger a journalist? Is everyone with a camera a photographer? Differences
Journalism >> filtering, editing, checking, accuracy and fairness, agenda-setting, centralization Blogging >>
publish, then filter What blogs bring
journalism: What journalism brings
blogs: Why some in journalism
are embracing blogs: |
More
on blogs, as tools or media for telling the story: Sniper
trial of John Allen Muhammad in Virginia Virginia-Pilot in
Norfolk Sipe: "Continuous online coverage of the trial was my idea. Since there was to be no TV or audio allowed by the court, I felt that real-time online reports would be the next best way to satisfy the intense interest in the trial. I am using a laptop with a wireless connection to the Internet. My copy is essentially self-edited, though I do have some folks back at the paper looking over my shoulder. Microsoft as community |
| A
few other blogs to sample: |
| Wrapping it up: What you need to know
|
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©2006 Brian Carroll
Last Updated:November 2006
Send comments and questions to bc at berry.edu