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General Information | Grading | Class blog | Week-by-week | Useful links | Viking Code | Berry COM Job Bank | AP Style tip of the day schedule
Note: This
Web page will change; please refer to it frequently. Do not
merely print it out the first week of class.
Lose your paper
syllabus? Download another one
News editing is not just something that goes on in a newspaper city room, at the news desk of WSB-TV or behind computers at CNN.com. Clear, effective writing, speaking and thinking are vital in any form of communication, be it a news story, public relations campaign, broadcast script, sermon or application to graduate school. This course will make you a more effective communicator, no matter what your career plans are. Of course, the focus here is on news, and editing is one of the most sought after job skills in the news business. You will learn to think as editors think, to work as editors work, and to solve the problems encountered in newsrooms everywhere.
The design of this course reflects my experience in newspaper work. I have been a writer, reporter, photographer and editor. Before earning a doctorate and getting into full-time teaching, I was an editor and reporter covering Internet-related businesses and technologies. Why bring that up? Because my goal is to make this course as real-world as possible. We'll be looking at real issues, real problems and real solutions. This class isn't about reading Plato in the ivory towers.
During our time together, I plan to treat you as fellow professional journalists acquiring new skills. I expect you to respond in kind by the quality of your assignments, your ability to meet deadlines, and with active participation, impeccable class attendance and perfect punctuality. Since you already have acquired news writing skills as prerequisites for this course, our relationship is roughly analogous to orienting and training a reporter for the copy desk.
Journalism and the roles of journalists continue to evolve. particularly with the continuting evolution online, the advent if iPads, and the ubiquity of mobile phones and smart phones. This course will introduce you to what is changing in copy editing -- and what is not. We will be discussing the fundamentals of editing that have been vital to newswork for generations. We also will be looking at how new technologies and new challenges are affecting journalism.
Several themes will guide our explorations, including:
· Precision. If the information
is not truthful, i.e., accurate, it's not journalism. Our job as editors
is to ensure the accuracy of everything we handle.
· Basics. No matter how high-tech things get, good copy editing requires
the consistent, skilled application of fundamentals.
· Imagination. Great editing requires creativity and flexible thinking.
· Convergence. The walls have come down within and between media. We
need to be able to operate in multiple domains, and to think mobile, geomapped and hypelrocal. We need to think of our stories across several media, and to take advantage of each of those media.
· Critical thinking. In journalism as in life, you
will find that not every question has a clear, unambiguous answer -- or even
only one answer. You can expect to be challenged to think on your feet, to
analyze ambiguous information, to find answers on your own, and to evaluate
the credibility and utility of various sources of information.
In this course, it is critical that we communicate well. If there is anything you do not understand, please ask about it immediately. Do not be shy; do not wait, hoping it will all become clear; do not assume that you are the only one who does not get the material. The rule still holds: There are no dumb questions.
I love journalism, and I want to help make it better by training a top-flight group of new journalists to enter the field. My goal for you is to learn about editing, learn to edit and, I hope, for you to gain some of my enthusiasm for news and news editing. If you don't come to share my passion, that's OK. Even if this is not your cup of tea, you will gain skills and perspectives that will make you more effective in any communicating you do, in whatever job or career you choose.
“Editor:
A person employed by a newspaper, whose business it is
to separate the wheat from the chaff, and to see that the chaff is printed.”
--Elbert Hubbard, 1856-1915
"Eloquence
is an art of saying things in such a way that those to whom we speak may listen
to them without pain and with pleasure; that they feel themselves interested,
so that self-love leads them more willingly to reflection upon it."
--Blaise Pascal, 1657
Catalog description: Selection and preparation of written and pictorial materials for newspapers, magazines and related media. Laboratory included. Prereq: COM 301.
Course
Purpose & Objectives: Wherever people use language, they need
editors. Students will learn to edit and write accurate, relevant and timely
news articles, press releases, magazine articles and other communications.
There will be an emphasis on grammar, spelling, syntax, style, electronic
editing and other elements of complete, concise and accurate publishing. Current
events, online news environments, and editing in and for digital media also
will be emphasized.
By the end of this course, my goal is for students to:
• Know how to gather, select, organize and evaluate information.
• Successfully write and edit news stories on deadline.
• Demonstrate improved news selection and judgment, critical thinking skills and professionalism.
• Better understand the legal and ethical contexts of mass communication.
• Better understand how editing for print differs from editing for the Web and online environments.
The
Week | Atlanta Journal-Constitution | Rome
News-Tribune | New York Times | Guardian
Newspaper
Week-by-week
Caution: This
calendar will change, and it will change often, so please refer to
it frequently.
You should not merely print it out the first week of class.
Calendar |
Topics
& Assignments |
Readings/Notes |
Week 1: Jan. 9
|
Introductions, syllabus, key course concepts; how COM 301 and 303 fit together; the news media future
Fundamentals | Roles of Editors | News values |
Read: Syllabus; by Friday, ch. 1 of Writing for Digital Media (WDM) textbook
Start up: New York Times print subscriptions, also by Friday Due Friday: AP style drill (numbers) |
Week
2: Jan. 16 |
Wednesday: On Writing (and Editing) Well and a writing Workshop | News values (continued) | Editing techniques
Friday: Preparing for a live edit Confusing Words (.ppt download) No class
Monday: MLK, Jr. Day |
Read for Wednesday: ch. 1 of WDM ("On Writing Well")
Read for Friday: "WED" | Search Engine Tutorial | "Perfect Copy Editor" | Seven Deadly Sins" | "Personal Responsibility" | Due Wednesday: 750-word writing sample AND Dow Jones diagnostic Due Friday: five questions for another current events discussion (use Trevor's from last week as a model); exercises in chapter 1 of WDM. |
Week
3: Jan. 23 |
Meet in the lab (LAU 111); live edit scrimmage Writer's Workshop, part II State of the Union speeches (What to look for) Prepping for live edit Monday; this one counts |
Read: We Are Not Bemused | Read
AP style primer (.doc download)
Due Monday: Grammar Slammers Due Wednesday: Writing critiques for your workshop partners Due Friday: AP Style drill number 2; 5 current events questions based on Thursday's Times |
Week
4: Jan. 30 |
Monday in the lab: Floydada story edit Multi-step editing and editing skills (chapter 5 of the textbook, so bring your books) Working with direct quotations, colloquialisms, attribution |
For Monday, read: Clichés | Words Commonly
Confused | Grambo | Spelling
Test
| chapter 6, WDM
(Online Editing, Designing ...)
Due Monday: Localizing the State of the Union speech; punctuation drill Due Wednesday: completed Floydada edits Due Friday: Revised writer's workshop samples, with layers |
Week
5: Feb. 6 |
Monday in the lab: live edit (libel and defamation) Wednesday guest: Mark Harris, environmental journalist Friday: webbifying, debriefing eggfight story |
Due Monday, beginning of class: AP style drill (on word choice, attribution)
Due Wednesday, beginning of class: completed egg fight edits Due Friday: AP style drill; 5 current events questions (focus: the Middle East and the Arab Spring) Read: How to use the dash; Quote, Unquote; A Dilemma Within Quotation Marks; the apostrophe; chapter 5 of WDM |
| Week
6: Feb. 13 |
Monday in the lab: Acworth robbery live edit (crime! ooh!) The Daily Show on contraceptives Digital Media v. Analog Media (Ch. 2) We will get to webbifying! I promise! |
For Wednesday/Friday, read: chapter 2, WDM Surf: Using wire copy | OnlineConversion.com Due Monday before class: Punctuation drill |
Week 7:
Feb. 20 |
Monday: Webbifying our content (Floyd Med examples) Wednesday: Math (.ppt download) | Numbers | Polls Reading a balance sheet | Where the bailout money is going >> a visual map |
Due Monday: Word choice drill; bring elec copy of writing sample.
Due Wednesday: reading quiz possible on chapters 1, 2, 5, 6, 11 Due Friday: working with numbers quiz |
Week
8: Feb. 27 |
Monday: budget meeting with COM 301 in LAU 113 (think "long shelf life" >> will be published AFTER spring break). These projects will serve as our midterm exam. Wednesday: More on numbers/math. Intro to Headlines (.ppt download) and deckheads Friday: Headlines, decks, subheads SPRING BREAK March 5-9!! |
Due Monday: Three story ideas in format provided. Typed up and submitted BEFORE class Monday; completed Numbers quizzes.
Read Chapter 4 of WDM for Wednesday, Headlines primer for Friday Due Friday: Consumer Reports edit; possible headlines quiz based on handouts. |
Week
9: March 12 |
Monday in the lab: headlines and lists Finish headlines, decks, subheads, and transitioning all of this for online readerships A Day in the Life of the Internet (Business Insider)
|
Due Monday: Headlines
diagnostic (Word .doc download); 3 good/3 bad; webbification ideas; finished Consumer Reports edit >> For funsies: Headline Generator
Due Wednesday: Headlines assignment begun in lab Due Friday: Grammar/Usage drill; five current events questions from Thursday's print Times |
Week
10: March 19 |
Monday: Collaboration story assignments, discussing webbification, porcess CoverItLive.com | Zeemaps.com | Fusion Charts | Dipity timelines Wednesday: collaboration project budget meeting Friday: NO CLASS; BC in Michigan |
For Friday: information
graphics (.ppt download); chapter 3 of WDM; Working with quotes and attribution
Due Monday, beginning of class: Edited libel story (Patrick Bove, .doc download) |
Week
11: March 26 |
Monday: Finishing midterm projects; creating layers (photography, maps, timelines, etc.) Wednesday: Writing for Digital Media (Prezi): making the transition from print to online Friday: NO CLASS; BC in Charleston, SC |
Due end of lab Monday: completed midterms.
Due Wednesday: all other content for the midterms (photo, maps, etc.) |
Week
12: April 2 |
Monday: Getting ready for news vid projects. Budget meeting with COM 301 in LAU 113. Bring to the meeting at least three good video news story ideas (headline, one- or two-sentence elaboration, one-sentence description of compelling video to tell the story, for each) Wednesday: Collaboration re-cap | personal publishing and the social media "conversation" (WDM, chapters 7-9) NO CLASS FRIDAY: GOOD FRIDAY |
Due Monday: video news story ideas (instrux at left) Read chapters 7-9 of WDM, personal publishing, citizen journalism and social media (reading quiz probable) |
Week
13: April 9 |
Monday in the lab: online sourcing activity
Wednesday: Video editing | Special Guest: tba, Video editing primer (.pdf download) Friday: Ethics of linking, including a linking dilemma (download) and a step-by-step process for making ethical decisions |
Due Wednesday: online source credibility assignment (handout); and please read "Online newsroom skills" from Poynter Institute
Surf:
For Friday, read: Principles of Linking | A New Credibility |
Week
14: April 16 |
Monday in the lab: Working with and editing your videos; instruction on doing voiceovers and using FinalCutPro: Meet in the Design Lab (Fusion) Wednesday: Finish up ethics and credibility of information (review treasure hunts, database searches) Better searching w/ Google (the doc we looked at in class) Friday: Meet in Mac lab LAU 111 >> Introduction to photo editing (.ppt download) | Cropping, sizing, cutline writing (.ppt download) | Photos from Japan via The Atlantic |
Due Monday: memo to your reader-/viewership explaining your decision on the beheading video. Here's an example, from NBC, on the Virgnia Tech shootings (just after the introduction). Peruse: Poynter on Ethics column Due Friday: Five current events questions from Thursday's print New York Times; read handout on photos and photo cutlines |
| Week
15: April 23 |
Monday in the lab: Finishing, viewing video projects Review for the final (.doc download) | And here, too! |
Due Monday: photo assignment Due Friday before FINAL EXAM: Finished, edited video packages |
| >> | FINAL EXAM: A take-home exam due when you arrive Friday, April 27th, 1:30pm, in the Mac lab. Also due at this time: Your videos, saved in Quicktime format (.avi or .mov), and on the forseti folder for our class, ready for class viewing. |
|
| Extra! Extra! | "Webbifying" >> Cloud 9 story BEFORE and AFTER NY Times interactive on the budget crisis | Wall Street Journal budget graphic | Washington Post | National Journal | NY Times | Associated Press | Forbes interactive media map Xiaojing's special library Web page created for COM 303 | Source credibility Usability and Emergent Journalism; >> article on usability findings Presentations on color |
|
Reading assignments are identified in the week-by-week schedule.
What you will need (required)
• Associated Press Stylebook (whatever version you used for COM 301 is fine; no need to buy a new one)
• Brian Carroll, Writing for Digital Media (New York: Routledge, 2010).
• Print subscription to the New York Times ($35 M-F, or 50 cents per day), available through the Berry bookstore
• Access to local newspaper (Rome News-Tribune OR HometownHeadlines)
What you may want (not required, but recommended)
• George T. Arnold, Media Writer’s Handbook: A Guide to Common Writing and Editing Problems
• Contemporary Editing, Cecelia Friend, Don Challenger, Katherine C. McAdams (New York: McGraw Hill)
• Lauren Kessler and Duncan McDonald, When Words Collide: A Journalist’s Guide to Grammar and Style
• Bill Kovach and Tom Rosenstiel, The Elements of Journalism
• Andrea Lunsford, The Everyday Writer
• William Strunk, Jr., and E.B. White, The Elements of Style
• Lynne Trusse, Eats Shoots & Leaves
Class format
This course is hands-on and active. The classroom is our newsroom. Students will edit copy, check facts, write headlines, make news judgments and design pages. On any given day:
• Students will be given quizzes on news events, spelling, grammar and style.
• We might conduct a budget meeting to determine content for our next newspaper issue, magazine issue or press release.
• We will collaborate with COM 301 students on projects and news packages.
• I might make presentations, with plenty of discussion throughout.
• I will introduce new material, go over previous exercises and perhaps involve students in peer editing.
• Students will write and edit . . . a lot.
Policies
• Attendance: Attendance is a part of your grade. Be here every day on time, just as you would be for surgery, a job or even a haircut. One absence is forgiven and forgotten. Two might be. More are penalized, one percentage point per unexcused absence, and that's a point off your final total grade. Unexcused lateness, too, is penalized.
• I am easily distracted. Ringing cell phones, therefore, will be lobbed out of the classroom window. Late arrivals will be stared down unmercifully. People who text will be publicly humiliated. In short, be professional and civil. If you are unclear about the meaning of these terms, I would be more than happy to elaborate. In short, though, during class and labs, no e-mail or texting, Facebooking or surfing. These activities prevent you from getting the information you need, and they are distracting to your classmates and to me. If I tell you to stop, then stop, immediately and completely.
• Preparation: Complete the assignments and be ready to tackle the activities of the day. Be ready to discuss and debate ideas, approaches and opinions.
• Academic integrity: Because academic integrity is the foundation of college life at Berry, academic dishonesty will result in automatic failure on the assignment in question. Academic dishonesty includes, but is not limited to, the following: cheating, unauthorized collaboration, plagiarism, fabrication, submitting the same work in multiple courses, and aiding and abetting. For definitions of these terms, please consult the instructor. Students who are sanctioned for violating the academic integrity policy forfeit the right to withdraw from the class with a grade of "W."
Assignment rules
While working in class, these parameters apply:
• Quizzes: What resources students may use will vary. Before each quiz, I will tell the class whether the quiz is open book. Students will be free to use the Associated Press stylebook in most cases.
• In-class/in-lab assignments: Unless otherwise instructed, you can and should use reliable references, including stylebooks, dictionaries and online sources. Be careful with information found on the Web, however.
• Collaboration: I support collaboration, but any graded work must be the student’s own. In some cases, I will encourage feedback sought from one another. For other assignments, I may require solitary work. Generally, students should operate under the assumption that they are accountable for their own work. When in doubt, ask.
Deadlines
• When an in-class/in-lab assignment is due, it is due. This reflects the reality of many mass communication professions and work environments. Late in-class assignments will not be accepted unless permission for extension had been granted prior to deadline. Turn in whatever has been done by deadline.
• Late out-of-class assignments will be accepted no later than the next class period, but the assignment grade will be lowered. Remember, penalized work is not necessarily the same as 0 (zero) points, so endeavor to submit the work even if it is late. Complete out-of-class assignments and learn from them, even if they are turned in late.
• Please note: If a student misses a class when an assignment is due and that student has a legitimate excuse, I will accept the late assignment without penalty at my discretion. I define what constitutes a legitimate excuse and reserve the right not to grant full credit for assignments turned in under these circumstances. The same holds true for exams.
How your grade will be computed:
| 50% | dailies (weekly and daily assignments and quizzes) |
| 20% | midterm exam |
| 20% | final exam |
| 10% | professionalism (attendance, discussion, participation) |
| 100% | total |
your final grade, add up your point totals, apply the appropriate percentages, then refer to this +/- grading chart:
|
Definitions of the grades can be found in the Berry College Bulletin. “A” students will demonstrate an outstanding mastery of course material and will perform far above that required for credit in the course and far above that usually seen in the course. The “A” grade should be awarded sparingly and should identify student performance that is relatively unusual in the course. Extra credit? Students have a standing invitation to bring in errors found in major (or national) print media (big newspapers, weekly news magazines, literary magazines). This invitation does not extend to online media, online publications, the Campus Carrier, the Rome News-Trib or your textbooks. I will award 1 or 2 points for each error spotted and submitted, up to 20 total points. These points are added to your point total for dailies. Submit the exhibit, or a copy of the exhibit or error, along with a typed up and printed out, corrected version. |
Students in COM303
must adhere to the Berry
Viking code (downloadable .pdf), particularly the sections on attendance
and academic integrity.
If you have special needs of any kind, including learning disabilities, please let me know. Come discuss it with me. I want to make sure on the front end that we prevent any problems associated with the course. From Martha Van Cise, director of the Academic Support Center: “Students with disabilities who believe that they may need accommodation in this course are encouraged to contact the library as soon as possible to ensure that such accommodations are implemented in a timely fashion.”
Strunk and White without E.B. White. This site offers Will Strunk's The Elements of Style in the original.
Jack Lynch's Grammar and Style Notes page.
Stumped on spelling? Not sure of an acronym? Need a thesaurus? Looking for off-beat dictionaries? Robert Beard's one-site shopping center, On-Line Dictionaries, links to more than 400 searchable references. Copy editors who use pop words and phrases -- buzzwords -- do so at their peril if they do not know the word's meaning. BuzzWhack identifies and critiques the latest language trends.
An excellent tutorial on search engine strategy is available at Bill Dedman's Power Reporting site.
Internet Sources for Copy Editors offers a glimpse at how to use the Internet to get to some useful data bases.
FACSNET is a valuable site created by The Foundation for American Communications, "to provide the knowledge and resources journalists and their sources need to effectively communicate information to the public through the news. "Good source of background information, reporting tips, etc.
>questions
or comments? bc at berry.edu
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