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Syllabus | Worlds Apart Google doc | Umbrella story Google doc
Topics | Schedule | Deadlines
Week 1: Jan. 12
Course oview. Brainstorm group reporting project. Get textbook ASAP!
|Week 2: Jan. 19||
TBA | No class Monday (MLK, Jr. Day) |
Friday: WEDM, chapters 1 & 2 | Print v. Digital | Discussing story ideas, cont'd
|Week 3: Jan. 26||
Reading for Monday: Nicholas Kristof on race in America, a five-part series. Here's the launch page.
DUE Monday: First writing assignment, from Ch. 1 WEDM (typed up, double-spaced, printed out)
Wednesday: WEDM, chapter 3, meet in the lab
Friday: Sensitizing to race (Treat me the same, but respect my difference). Story assignments.
|Week 4: Feb. 2||
Wednesday: Special guest, Billy Moore (come up with three questions to ask Billy, from your project story ideas); DEADLINE: Revisions of your op-ed pieces.
READ: Redlining in America | Gaps in Affordable Care Act insurance coverage for the poor | Obama's budget proposal and the low and middle classes
Friday: Finish "Going Deep" | Story assignments | Source identification
|Week 5: Feb. 9||
Friday: Elements of Journalism, chapters 1-3 (maybe Billy Moore guesting; I don't know)
Wednesday: Finding and communicating voice | Breaking down the two Monday night events | story assignments/source sharing
Friday: Work session in the lab; HIT the Googledoc | DEADLINE: op-ed second revisions
|Week 6: Feb. 16||
Monday: Meet in the Sandbox over in the library -- planning our work and determining our media
Wednesday: Layering our stories; read WEDM, chapter 4 (quiz possible) | In-class scrimmage
Friday: The medium IS the message. Read: A Mile Wide, an Inch Deep (Ev Williams) | On Smarm (Gawker) | Message Machine (NYTimes) | The Pressure to be the News Leader Tarnishes a Big Brand (NYTimes)
VIEW: The Nightly Show on black fatherhood in America
|Week 7: Feb. 23||
Monday: In the lab, working on our stories & content
NO CLASS on Friday: BC at a conference on media law
|Week 8: March 2||
NO CLASS on Monday: BC in Vermont
Wednesday: DEADLINE-- first drafts of stories (all stories); layering of op-ed on blog should be finished and ready for all to see (Meet in the LAB) | Appalachian State & race (student journalism)
Friday: Revisions in the lab, looking at your op-ed layering, finishing our budget update meeting
|Week 9: March 16||
Monday: Authentic Voice, part II; looking at your layered blog posts that were due March 4
Wednesday: Read ch. 7 of WEDM, Writing for Blogs (reading quiz definite); What is a good story?
Friday: Collaborating in the Mac lab; bring work you'd like help with.
|Week 10: March 23||
Monday: No class, BC in Vermont (hopefully); WORK ON YOUR STORIES
Wednesday: Elements of Journalism, chapters 4-6 (the discipline of verification), reading quiz probable; updates on story projects
Friday: Chapter 8 of WEDM (Saving the Whale), reading quiz definite | Hurray for long-form journalism (Nieman Labs)
|Week 11: March 30||
Monday: Working together in the lab, so bring work you need help with -- any medium, at any stage.
Wednesday: Read "Web Words That Lure Readers" (NYT) | SEO and the end of the clever headline | A 12,000-word article on A Rod with no quotes | Ch. 8 of WEDM (that we didn't get to Friday) OR A visit by Billy Moore (we'll see!)
No class Friday: Good Friday
|Week 12: April 6||
Production, Elements of Journalism 7-9
Friday deadline: Police/crime video
|Week 13: April 13||Production, Elments of Journalism 10 & 11|
|Week 14: April 20||
WEDM Chapter 9: Social Media
No class Friday
|Week 15: April 27||Post-production celebration|
Introduction to new media and strategies for effective communication through them. Students will analyze the technical and rhetorical possibilities of online environments, including interactivity, hyperlinking, spatial orientation and non-linear storytelling. PR-COM 301.
By the end of this course, my goal is for students to:
Brian Carroll, Laughlin 100
Office phone: 706.368.6944 (anytime)
E-mail: firstname.lastname@example.org OR email@example.com
Home page: http://www.cubanxgiants.com
What you will need (required)
• The Elements of Journalism, Kovach & Rosenstiel (Three Rivers Press)
• Writing & Editing for Digital Media, Carroll (Routledge, 2014)
What you may want (recommended, not required)
• Lauren Kessler and Duncan McDonald, When Words Collide: A Journalist’s Guide to Grammar and Style (Norton)
• Steve Krug, Don’t Make Me Think (New Riders)
• Andrea Lunsford, The Everyday Writer (Bedford/St. Martin’s)
• Patrick Lynch and Sarah Horton, Web Style Guide 3 (Yale University Press)
• Robin Williams and John Tollett, The Non-Designers Web Book (Peachpit Press)
This is a seminar course, so much is expected of students. Discussion and participation are key components. Hands-on application also is an emphasis. We will learn how to create content specifically for presentation in digital environments and to publish that content to the web and for mobile.
Attendance: Attendance is a part of your grade. Be here every day on time,
just as you would for a job, surgery or a haircut. Everyone gets one unexcused
absence >> no questions asked. Stuff happens. After that, unexcused
absences will result in deductions from the "professionalism and participation" portion
of your grade -- one point for each unexcused absence
or late arrival. What is excused is at the instructor's
discretion, so you are best served
situations and extraordinary circumstances prior
to class whenever possible.
• Distractions: This instructor is easily distracted. Ringing or vibrating cell phones, therefore, will be lobbed out of the classroom window and run over with a truck. Chatter during lecture will result in "professionalism and participation" point deductions, as will texting or other unauthorized device use during lecture or topic presentations, particularly after warnings have been issued. If you have to arrive late or leave early, clear it with the instructor beforehand whenever possible. Basic civility is what is expected. If you are at all unclear as to what “basic civility” implies, the professor would be more than happy to elaborate.
• Focus: During class and lab sessions, no device use. These activities prevent you from getting the information you need and it is distracting to your classmates and to me.
• Preparation: Complete the assignments and be ready to tackle the activities of the day. Be ready to discuss and debate ideas, approaches and opinions.
How you will be graded
|Collaborative class storytelling project||65%|
|Blog posts, daily activities||15%|
|Professionalism and participation||10%|
It is not just policy. It is foundational to the academic environment we enjoy and in which scholarship thrives. It is in force in this classroom and during all lab sessions. For the complete Viking Code, please consult the student handbook. In short, each student is “expected to recognize constituted authority, to abide by the ordinary rules of good conduct, to be truthful, to respect the rights of others.” The College’s mission, in part, commits to a community of integrity and justice. During an era when ethics are sometimes suspect, there seems no higher goal toward which students ought to strive than that of personal honor.
There are no exams in this course, although students may be quizzed from time to time. These will be no pop quizzes; students will be forewarned. Deadline pressure is an important dimension to the rigor of the course. Meet the deadline or take a penalty.
While working in class, these parameters apply:
• In-class/in-lab assignments: You may use any and all reliable references, including stylebooks, dictionaries and online sources. Be careful with information found on the Web. When in doubt, cross-check and verify.
• Collaboration: I support collaboration, but any graded work must be the student’s own. In some cases, I will encourage feedback sought from one another. For other assignments, I may require solitary work. Generally, students should operate under the assumption that they are accountable for their own work. When in doubt, ask.
• When an in-class/in-lab assignment is due, it is due. This reflects the reality of many mass communication professions and work environments. Late in-class assignments will not be accepted unless permission for extension had been granted prior to deadline. Turn in whatever has been done by deadline.
• If we have out-of-class assignments, they will be accepted for up to one week after deadline, but late assignments will be penalized. Remember, penalized work is not necessarily the same as 0 (zero) points. Complete out-of-class assignments and learn from them, even if they are turned in late. Partial credit can be earned. After an assignment is more than a week late, however, that work is not eligible for points.
• Please note: If a student misses a class when an assignment is due and that student has a legitimate excuse, I will accept the late assignment without penalty at my discretion. I define what constitutes a legitimate excuse and reserve the right not to grant full credit for assignments turned in under these circumstances. The same holds true for exams.
Students with special needs
If you have special needs of any kind, including learning disabilities, please let me know. Come discuss it with me. I want to make sure on the front end that we prevent any problems associated with the course. From the Academic Support Center: “Students with disabilities who believe that they may need accommodation in this course are encouraged to contact the Academic Support Center in Memorial Library as soon as possible to ensure that such accommodations are implemented in a timely fashion.”
Finally, I believe we are here for a good time, not a long time, so let’s have some fun.
questions or comments?
bc at berry.edu
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